| ISBN: | 978-0-472-06886-9 |
| Naslov: | Critical theory and performance / edited by Janelle G. Reinelt and Joseph R. Roach |
| Izdanje: | Rev. and enl. ed. |
| Impresum: | Ann Arbor : University of Michigan Press , cop. 2007 |
| Materijalni opis: | xii, 596 str. : ilustr. ; 25 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Theater--theory/text/performance |
| Napomena: | Zastupljeni autori: Carlson, Marvin ; States, Bert O. ; Carmody, Jim ; Feral, Josette ; Tompkins, Joanne ; Richards, Sandra L. ; Zarrillli, Phillip B. ; Lane, Jill ; Lei, Daphne ; Elam, Harry J. ; Postlewait, Thomas ; Bank, Rosemarie K. ; Foster, Susan Leigh ; Savran, David ; McConachie, Bruce ; Rouse, John ; Donkin, Ellen ; Dolan, Jill ; Davy, Kate ; Román, David ; Diamond, Elin ; Pellegrini, Ann ; Phelan, Peggy ; Schechner, Richard ; Conquergood, Dwight ; Chaudhuri, Una ; Auslander, Philip ; Blau, Herbert ; Case, Sue-Ellen. - Bibliografija uz pojedine radove |
| Ključne riječi: | kazalište -- filozofija * filozofija kazališta |
| Sažetak: | Preface to the Second Edition ; Introduction to the First Edition. -Performance Analysis. -Marvin Carlson, Semiotics and Its Heritage ; Bert O. States, The Phenomenological Attitude ; Jim Carmody, Alceste in Holywood A Semiotic Reading of The Misanthrope ; Josette Feral, Every Transaction Conjures a New Boundary. -Postcolonial Studies. -Joanne Tompkins, Performing History's Unsettlement ; Sandra L Richards, What Is to Be Remembered?: Tourism to Ghanas Slave Castle-Dungeons ; Phillip B Zarrilli, For Whom Is the King a King? Issues of Intercultural Production, Perception, and Reception in a Kathakali King Lear. -Critical Race Theory. -Jill Lane, Black/face Publics: The Social Bodies of Fraternidad ; Daphne Lei, Virtual Chinatown and New Racial Formation: Performance of Cantonese Opera in the Bay Aea ; Harry Elam, Jr, Reality v/. -Theater History and Historiography. -Thomas Postlewait, Theater Events and Their Political Contexts: A Problem in the Writing of Theater History ; Rosemarie K Bank, Representing History: Performing the Columbian Exposition ; Susan Leigh Foster, Kinesthetic Empathies and the Politics of Compassion. -After Marx. -David Savran, Shadows of Brecht ; Brace McConachie, Historicizng the Relations of Theatrical Production ; John Rouse, Brecht and the Contradictory Actor. -Gender and Sexualities. -Ellen Donkin, Mrs. Siddons Looks Back in Anger Feminist Historiography for Eighteenth-Century British Theater ; Fill Dolan, Practicing Cultural Disruptions Gay and Lesbian "Representation and Sexuality ; Kate Davy, Fe/male Impersonation: The Discourse of Camp ; David Roman, Not-About-AIDS. -Psychoanalysis. -Elin Diamond, The Violence of "We": Politicizing Identification ; Ann Pelh'grini, Staging Sexual Inury: H ow I Learned to Drive ; Peggy Phelan, Imobile Legs, Stalled Words: Psychoanalysis and Moving Deaths. -Performance Studies. -Ricihard Schechner, Invasions Friendly and Unfriendly: The Dramaturgy of Direct Theater ; Dwight Conquergood, Performance Theory, Hmong Shamans, and Cultural Politics ; Una Chaudhuri, Animal Rites: Perorming beyond the Human. -Mediatized Cultures. -Philip Auslander, Live from Cyberspace, or, I Was Sitting at My Computer This Guy Appeared He Thought I Was a Bot ; Herbert Blau, Virtually Yours: Presence, Liveness, Lessness ; Sue-Ellien Case, Draculas Daugh |
| UDK: | 792:1 |
| Ostali autori / urednici: | Reinelt, Janelle G. ; Roach, Joseph R. |
| Namjena : | doktorski studij književnosti |
| Signatura: | 792(08) CRIT |
| Inventarni broj: | III-3745, III-3808 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9262 |
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